Believe, a leading global music company focused on independent artists and labels, has announced the appointment of Adriana Sein as its new President of Americas. This newly created role, publicly disclosed on Tuesday, October 6, underscores Believe’s intensified strategic focus on the North and South American markets. Sein will report directly to Romain Vivien, Believe’s Global Head of Music, and her appointment is poised to significantly accelerate the company’s ambitious expansion and operational growth across the diverse and dynamic music landscape of the Americas.
In her pivotal new capacity, Sein will assume comprehensive oversight of Believe’s commercial operations throughout North and South America. Her mandate includes leading the company’s crucial label and artist solutions business lines, a core offering that empowers independent creators with global distribution, marketing, and analytical tools. Furthermore, she will spearhead the broader expansion initiatives across the entire region, encompassing strategic growth in the United States, Canada, and the vast and varied territories of Latin America. This includes direct responsibility for Believe’s established businesses in Canada and Latin America, while also integrating and building upon the company’s recent foundational efforts in the United States.
A Career Forged in Global Music Leadership
Adriana Sein brings an exceptional depth of experience and a distinguished track record in the global music industry to Believe. Her career trajectory is marked by significant leadership roles at major music conglomerates, demonstrating a profound understanding of international markets, digital distribution, and artist development.
Prior to joining Believe, Sein served as Senior Vice President and Global Head of Artist & Market Development at Warner Music Group’s ADA, the company’s independent distribution and artist services arm. During her tenure at ADA, she played a crucial role in shaping the company’s global strategy and operational excellence. Her responsibilities were expansive, encompassing the leadership of ADA’s distribution business across the EMEA (Europe, Middle East, and Africa) and Latin American regions. Beyond distribution, Sein also oversaw global marketing initiatives and cultivated key client partnerships, including within the highly competitive U.S. market. A testament to her strategic vision and execution capabilities, she was instrumental in driving ADA’s significant expansion into emerging markets such as MENA (Middle East and North Africa) and the broader African continent, regions increasingly recognized for their burgeoning music industries and digital adoption.
Before her impactful tenure at ADA, Sein held the position of Vice President of International at Columbia Records, a flagship label under Sony Music Entertainment. In this role, she gained invaluable experience in the intricacies of international artist promotion, catalog management, and market penetration strategies for global superstars and developing talent alike. Her earlier career also includes a significant period at Ultra Records, an independent electronic music label and publisher. At Ultra, Sein was a foundational figure, establishing the label’s international division from the ground up. This pioneering work involved building global networks, negotiating licensing agreements, and strategizing market entry for Ultra’s roster. She further spearheaded the successful implementation of Ultra’s joint venture with Sony Music, a complex undertaking that required navigating both independent and major label ecosystems and proved crucial for Ultra’s expanded global reach and operational efficiency. Her diverse background, spanning independent and major labels, distribution, and international market development, uniquely positions her to lead Believe’s ambitious plans for the Americas.
Believe’s Ambitious Vision for the Americas
The creation of the President of Americas role and Sein’s subsequent appointment are not isolated events but rather a clear manifestation of Believe’s overarching strategy to solidify its presence and accelerate growth in one of the world’s most vital music markets. The Americas, with its diverse cultural landscapes, rapid digital transformation, and burgeoning independent music scene, represents an enormous opportunity for a company like Believe, which champions a data-driven approach to artist and label development.
Believe has been systematically investing in the U.S. market, a crucial battleground for global music companies. This includes the recent establishment of its dedicated label and artist solutions business in the United States, a move designed to provide tailored support to American independent artists and labels. This U.S. operation is led by Thomas Maxwell, an executive with a strong understanding of the domestic market. Concurrently, Believe has also backed the U.S.-based record label AZTEC, helmed by former 300 Entertainment executive Az Cohen. These initiatives highlight Believe’s commitment to building a robust, localized infrastructure capable of competing effectively and serving a wide array of creators. Sein’s leadership will be instrumental in unifying these efforts and scaling them across the entire North American continent, including the strategically important Canadian market, which often serves as a bridge between U.S. and European music trends.
Furthermore, Latin America presents a significant growth frontier. The region has consistently demonstrated some of the highest rates of digital music consumption growth globally, fueled by expanding internet penetration, smartphone adoption, and a vibrant local music culture spanning genres like reggaeton, cumbia, pop, and regional Mexican music. Sein’s direct responsibility for Believe’s business in Latin America will involve leveraging her extensive experience in the region from her time at ADA to tailor Believe’s offerings to specific market needs, fostering local talent, and expanding distribution networks. The strategic importance of markets like Brazil, Mexico, Colombia, and Argentina cannot be overstated, as they represent not only massive consumer bases but also powerful cultural export hubs.
Executive Endorsements and Strategic Alignment
The enthusiasm surrounding Sein’s appointment is palpable within Believe’s leadership. Romain Vivien, Global Head of Music, articulated the company’s high expectations, stating, “Adriana is a successful senior executive leader with a super strong track record in the global music industry. Her multiple market expertise and deep understanding of both distribution and artist development businesses added to a solid strategic vision make her the best person to hone our operations, increase our impact, and continue growing our business throughout the Americas. Adriana joining Believe stands as a testament to our continued investment in the region, particularly in the United States, and our commitment to help develop creators, labels and artists with best in class services, expertise, and leadership. I am very excited to welcome her to Believe.” Vivien’s statement underscores Believe’s confidence in Sein’s ability to drive significant results, emphasizing her strategic acumen and hands-on experience as crucial for navigating the complexities of the Americas. It also reaffirms Believe’s foundational commitment to empowering independent artists and labels, a mission that Sein is expected to champion vigorously.
Adriana Sein herself expressed her eagerness to embrace the new challenge. “Over the past 20 years, Believe has built a differentiated global platform with independent artists, labels and entrepreneurs at its core,” Sein commented. “I’m excited to join the company at such a defining moment and bring the full strength of that offering to the US, while accelerating our growth across Latin America and Canada. I look forward to working with our teams and partners to build on that momentum and drive the next phase of growth throughout the Americas.” Her statement highlights Believe’s unique value proposition in the market – its long-standing dedication to independence – and her strategic focus on leveraging this strength to capture further market share in North and South America. Her emphasis on "a defining moment" suggests a recognition of the current opportunities for Believe to expand its influence and impact significantly.
The Evolving Landscape of Independent Music and Digital Distribution

Sein’s appointment comes at a pivotal time for the global music industry, characterized by the continued ascendance of the independent sector and the dominance of digital distribution. The independent music market has consistently outperformed the overall recorded music market in recent years, reflecting a growing desire among artists for greater control, transparency, and more favorable revenue splits than traditionally offered by major labels. Companies like Believe, which offer a hybrid model of distribution, marketing, and artist services with a strong emphasis on empowering creators, are perfectly positioned to capitalize on this trend.
Believe, a publicly traded company on Euronext Paris, has grown into a significant global player, operating across more than 50 countries with a diverse portfolio of brands and services. Its core mission revolves around leveraging technology and local expertise to serve artists and labels at every stage of their careers. The company’s data-driven approach to A&R, marketing, and audience development has proven effective in identifying and nurturing talent in an increasingly crowded global marketplace. The Americas, particularly with its high digital penetration and streaming adoption rates, provides fertile ground for Believe’s model. Streaming revenues now constitute the vast majority of recorded music income globally, and this trend is even more pronounced in developing markets within Latin America, where physical sales have largely been leapfrogged by digital consumption.
The Strategic Significance of the Americas Market
The Americas represent a mosaic of diverse music cultures, languages, and consumer behaviors, making a nuanced, localized strategy essential. The United States remains the largest music market globally by revenue, a highly competitive landscape dominated by major labels but with significant opportunities for independent players who can offer compelling alternatives. Canada, while smaller, is a robust market with strong digital adoption and cultural ties to both the U.S. and European music scenes.
Latin America, however, is arguably the region with the most explosive growth potential. According to IFPI’s Global Music Report, Latin America has consistently been one of the fastest-growing regions for recorded music revenues, with significant double-digit growth year-on-year, largely driven by streaming. Countries like Brazil and Mexico are top-tier global markets, while others such as Colombia, Chile, and Argentina are rapidly expanding. The rise of genres like Latin urban, particularly reggaeton and Latin trap, has not only dominated regional charts but also achieved unprecedented global success, further highlighting the region’s cultural power and commercial viability. An executive with Sein’s specific experience in these markets is therefore invaluable for Believe’s ambition to deepen its footprint and capitalize on these trends. Her ability to navigate diverse regulatory environments, cultural nuances, and competitive landscapes will be critical to tailoring Believe’s global offerings to local sensibilities and maximizing market share.
Chronology of Believe’s Regional Expansion
Sein’s appointment is the latest, and perhaps most significant, step in a series of strategic moves by Believe to strengthen its position in the Americas. The establishment of the U.S. label and artist solutions business, led by Thomas Maxwell, was a critical foundational step, providing the operational framework for Believe’s direct engagement with American artists and independent labels. This move signaled a shift from relying solely on partners to building direct relationships and infrastructure in the world’s largest music market.
The subsequent launch of AZTEC, the U.S.-based record label spearheaded by Az Cohen, further diversified Believe’s offerings, allowing it to directly invest in and develop artists through a traditional label model, albeit one backed by Believe’s independent ethos and technological prowess. These initiatives, unfolding over the past year or so, demonstrate a systematic and incremental approach to market entry and expansion. Adriana Sein’s role as President of Americas effectively unifies these disparate efforts under a single, experienced leader, providing a cohesive strategy for growth across the entire hemisphere. This chronological progression underscores Believe’s commitment and long-term vision for the region, moving beyond opportunistic engagements to a deeply integrated operational presence.
Implications for Believe and the Global Music Industry
The appointment of Adriana Sein as President of Americas carries significant implications for Believe and the broader music industry. For Believe, it signifies a major commitment to accelerating its market share and influence in the Americas, particularly in the highly competitive U.S. market. Her extensive experience in global distribution and artist development, coupled with her strategic vision, is expected to enhance Believe’s competitive edge against both major labels and other independent distributors. This move could lead to increased artist and label acquisitions, stronger local partnerships, and ultimately, a more diversified and robust revenue stream for Believe. It also reinforces Believe’s position as a serious contender for top-tier independent talent looking for global reach with a tailored, artist-centric approach.
For the global music industry, this appointment highlights the ongoing trend of consolidation and strategic talent acquisition in the independent sector. As the lines between traditional labels, distributors, and artist services blur, companies are seeking executives who possess a holistic understanding of the entire music value chain. Sein’s move from a major-affiliated independent distributor (ADA/WMG) to a pure-play independent global company (Believe) also underscores the growing attractiveness and perceived stability of the independent music ecosystem for top-tier talent. It signals that independent companies are not just niche players but formidable global entities capable of attracting and empowering leading industry professionals. This shift could further fuel innovation in artist-friendly business models and accelerate the growth of the independent market share globally.
Looking Ahead: The Future of Believe in the Americas
Under Adriana Sein’s leadership, Believe is poised to enter a new phase of accelerated growth and strategic development in the Americas. Her mandate will involve not only expanding the company’s existing footprint but also identifying new opportunities for partnerships, acquisitions, and service diversification tailored to the unique characteristics of each market. The challenge will be to balance global strategy with local execution, leveraging Believe’s technological capabilities while respecting and integrating the rich cultural diversity of the region.
Success will be measured not only in terms of revenue growth but also in Believe’s ability to further empower independent artists and labels, providing them with unparalleled tools and support to thrive in the digital age. As the music industry continues its rapid evolution, executives like Adriana Sein, with their blend of global expertise, strategic insight, and a deep understanding of the independent ethos, will be instrumental in shaping its future. Her leadership will undoubtedly be a key factor in Believe’s journey to becoming an even more dominant force in the global independent music landscape.

