Philadelphia, PA – In a significant development for fans of critically acclaimed rock act The War On Drugs, the band’s esteemed keyboardist, Robbie Bennett, is poised to release not one, but two new double albums simultaneously on December 11. Titled Steloken and Circulation, these ambitious instrumental works mark a substantial artistic statement from Bennett, following his 2020 debut solo album, Permanent World. This release comes as the primary band, The War On Drugs, appears to be in the early stages of preparing for a new album cycle, though concrete details regarding a follow-up to their Grammy-winning 2021 record, I Don’t Live Here Anymore, remain scarce.
The Genesis of a Dual Artistic Vision
Bennett’s forthcoming double albums, Steloken and Circulation, represent a deep dive into the sonic architecture that underpins his contributions to The War On Drugs, while simultaneously pushing the boundaries of his individual creative expression. The two albums are reported to be conceptually rooted in the disciplines of piano and classical counterpoint, an intricate compositional technique involving the weaving of independent melodic lines. However, their development saw Bennett leverage the sophisticated keyboard rig he employs with The War On Drugs, a setup renowned for its blend of vintage warmth and cutting-edge synthesis.
Among the key instruments shaping the soundscapes of Steloken and Circulation are the iconic Oberheim OB-X8 synthesizer, a modern revival of classic analog polyphony; a Fender Rhodes electric piano, celebrated for its distinct bell-like tone; and the more esoteric Soma Terra. The Soma Terra is described as a "polyphonic microtonal synthesizer with a gyroscope and pressure-sensitive sensors," an instrument that promises unique expressive capabilities far beyond traditional keyboard controllers. This combination of classic and avant-garde instrumentation suggests a rich textural palette, allowing Bennett to construct intricate, evolving sonic environments.
Elaborating on his artistic intent, Bennett articulated a clear vision for the listener’s experience: "I want the music to be like you’re walking through an unfamiliar place you want to keep exploring and never have to circle back to where you started." This statement hints at a non-linear, immersive journey through sound, characteristic of exploratory instrumental music designed to evoke landscapes and internal states rather than narrative structures. The choice of a double album format further supports this expansive philosophy, providing ample space for extended sonic exploration without the constraints often imposed by single-disc releases.
A Deeper Dive into the Instrumentation
The selection of instruments for Steloken and Circulation is critical to understanding their potential sonic character.
The Oberheim OB-X8 is a modern hybrid synthesizer that combines the sonic engines of the legendary Oberheim OB-X, OB-Xa, and OB-8. These original instruments were instrumental in defining the sound of 1980s pop, rock, and new wave, known for their lush pads, cutting brass sounds, and thick analog bass. Its inclusion suggests a foundation of rich, warm, and expansive analog textures that can either provide a melodic core or serve as atmospheric bedding. The OB-X8’s versatility allows for a broad spectrum of sounds, from soaring leads to ethereal washes, all imbued with the characteristic Oberheim punch and clarity.
The Fender Rhodes electric piano, conversely, offers a distinctly different, yet equally iconic, sonic profile. First introduced in the 1960s, the Rhodes’ unique hammer-and-tine mechanism produces a bell-like, resonant tone that can range from mellow and warm to sharp and percussive, depending on the velocity and amplification. It has been a staple in jazz, funk, R&B, and rock for decades, beloved for its expressive dynamics and ability to blend seamlessly into various musical contexts. Its presence in Bennett’s arsenal suggests a grounding in classic keyboard timbres, providing a counterpoint to the more synthetic sounds.
Perhaps the most intriguing instrument mentioned is the Soma Terra. Soma Laboratory, a boutique instrument manufacturer, is known for creating unconventional and highly expressive synthesizers. The Terra, with its "polyphonic microtonal" capabilities, indicates an ability to generate multiple notes simultaneously (polyphony) across a scale system that includes intervals smaller than the traditional Western semitone (microtonal). This opens up possibilities for harmonies and melodic nuances not typically found in conventional music. Furthermore, the inclusion of a "gyroscope and pressure-sensitive sensors" points to a highly tactile and expressive control interface, allowing for subtle, nuanced manipulation of sound through physical gestures, akin to a performer interacting directly with the sonic material in a highly intuitive manner. This could lead to evolving textures, dynamic shifts, and unique timbral morphing that are difficult to achieve with standard keyboard controllers.
Contextualizing Robbie Bennett’s Solo Journey
Robbie Bennett’s role in The War On Drugs cannot be overstated. As a core member, his contributions on keyboards, synthesizers, and piano have been integral to shaping the band’s signature expansive, atmospheric, and melancholic sound. His intricate melodic lines and textural layering are a crucial component of the band’s critically acclaimed albums, including Slave Ambient (2011), Lost in the Dream (2014), A Deeper Understanding (2017), and I Don’t Live Here Anymore (2021). The latter, particularly, earned the band widespread critical acclaim, a Grammy Award for Best Rock Album, and solidified their status as a leading force in modern rock.
Bennett’s venture into solo work began with Permanent World in 2020. That album served as an initial exploration of his individual compositional voice, distinct yet subtly informed by his work with The War On Drugs. The decision to follow up with not one, but two double albums, Steloken and Circulation, three years later, signifies a significant leap in his artistic ambition and a deeper commitment to developing his independent musical identity. This move is not uncommon for members of established bands, who often use solo projects as an outlet for material or styles that may not fit the collective vision of their primary group. It allows for uninhibited experimentation and the cultivation of a personal aesthetic.
Anticipation for The War On Drugs and the Broader Implications
While Bennett’s solo work provides a compelling artistic detour, the announcement naturally arrives amidst the quiet anticipation for The War On Drugs’ next full-length offering. The band has been hinting at new material, suggesting that a new album cycle is indeed on the horizon. However, details regarding the follow-up to I Don’t Live Here Anymore, which garnered widespread critical acclaim for its blend of heartland rock, shoegaze, and synth-pop influences, remain undisclosed. The interim period between albums often sees band members engaging in other creative endeavors, and Bennett’s prolific output here serves as a potent reminder of the depth of talent within the group.
The release of Steloken and Circulation on American Dreams, an independent record label known for its diverse roster and emphasis on innovative and often experimental music, further underscores the artistic integrity of Bennett’s project. American Dreams has a history of supporting artists who push boundaries, making it a fitting home for these intricate, instrumental soundscapes.
The decision to release two double albums simultaneously is a bold move in an industry often focused on single tracks and EP-length releases. Historically, double albums have been reserved for artists making significant artistic statements, often signaling a period of intense creative output or a desire to explore a broad range of themes and styles. Iconic examples include The Beatles’ "White Album," Pink Floyd’s The Wall, and Stevie Wonder’s Songs in the Key of Life. For an instrumental artist, a double album allows for the creation of vast, immersive soundworlds that can evolve and unfold over extended periods, inviting listeners into a deeper, more meditative engagement with the music. It challenges the listener to dedicate substantial time and attention, promising a rewarding experience for those willing to embark on the journey Bennett has crafted.
A Glimpse into the Sonic Tapestry
To offer a preview of these expansive works, Bennett has shared two tracks: "Sister" from Steloken and "The Light On Your Face" from Circulation. These initial offerings serve as sonic ambassadors, hinting at the intricate textures, melodic sensibilities, and overall atmospheric quality that listeners can expect from the full collections. While specific analysis without listening is speculative, given Bennett’s background and stated intentions, these tracks are highly likely to showcase the blend of classical influences, analog warmth, and experimental electronic flourishes promised by his chosen instrumentation. They will undoubtedly provide a window into the "unfamiliar place" Bennett invites his audience to explore.
Conclusion: A Significant Artistic Statement
Robbie Bennett’s simultaneous release of Steloken and Circulation on December 11 represents a significant milestone in his career as an individual artist. Far from a mere side project, these two double albums are a testament to his profound musicality, his sophisticated understanding of synthesis and composition, and his ambition to craft expansive, exploratory soundscapes. While the music world eagerly awaits news from The War On Drugs, Bennett’s latest offering provides a rich, immersive experience that not only showcases his unique talents but also further enriches the broader musical landscape, inviting listeners to delve into uncharted sonic territories crafted by a master of atmospheric sound. The twin albums promise to be a deep, rewarding listen for enthusiasts of instrumental music, experimental electronics, and indeed, anyone appreciative of profound musical artistry.
