Usher and Chris Brown Make History as First Co-Headliners to Top Billboard’s Monthly Top Tours Chart

Since its inception in 2019, Billboard’s monthly Boxscore charts have served as the definitive barometer for the live music industry, chronicling the triumphs of a diverse array of artists across genres and demographics. From the inaugural No. 1, Elton John, in February 2019, followed by P!nk the next month, to mixed-gender groups like RBD in November 2023, the chart has celebrated solo superstars, iconic vocal groups like BTS and Spice Girls, legendary bands such as The Rolling Stones and Coldplay, and even institutional touring ensembles like the Trans-Siberian Orchestra. Artists spanning pop, rock, R&B, country, Latin, rap, and K-pop have all claimed the coveted top spot, showcasing the vast tapestry of global touring success. Yet, in its 75th edition, ranking the biggest touring acts of September 2026, a significant new milestone has been achieved: for the very first time, a pair of co-headliners has ascended to the summit of the Top Tours chart.

The R&B Tour: A Historic Collaboration Dominates September

Breaking new ground, Usher and Chris Brown’s monumental "The R&B Tour" officially secured the No. 1 position on the Top Tours chart for September 2026. This landmark achievement marks the first instance a duo of artists sharing top billing has collectively claimed the chart’s pinnacle. According to comprehensive figures meticulously reported to Billboard Boxscore, the highly anticipated collaboration generated an astounding $77.4 million in gross revenue and sold an impressive 423,000 tickets across 10 meticulously executed shows throughout the month. This formidable performance not only positions "The R&B Tour" as the highest-grossing but also the best-selling tour of September, solidifying its place in touring history.

The journey to this historic No. 1 spot for Usher and Brown was a testament to their enduring appeal and the tour’s compelling draw. They had previously come tantalizingly close to the top, securing the No. 3 position in both July and August of this year. In those preceding months, their path to the peak was famously blocked by the juggernaut performances of K-pop sensation BTS and global R&B icon The Weeknd, highlighting the intensely competitive nature of the contemporary touring landscape. Their consistent high performance, however, foreshadowed their eventual breakthrough, signaling a powerful resurgence for two of R&B’s most dynamic performers.

The Road Less Traveled: Previous Co-Headliner Attempts

While Usher and Chris Brown now stand as the first co-headliners to reach No. 1, their success is built upon a history of other notable double-billed tours that came incredibly close to achieving this feat in the last seven years. These near-misses underscore the unique challenge and considerable commercial potential inherent in co-headlining ventures.

One such instance was in August 2022, when rock legends Def Leppard and Mötley Crüe embarked on their much-anticipated double-bill stadium tour. Their combined might propelled them to the No. 2 spot on the chart, only to be held back by the unparalleled dominance of Latin music superstar Bad Bunny, whose solo tour was a global phenomenon. The following year, in January and February 2023, the Red Hot Chili Peppers teamed up with Post Malone for a compelling genre-bending co-headlining run. Despite their significant draw, they were relegated to the runner-up position, first by the farewell tour of Elton John and then by the colossal presence of Ed Sheeran.

Most recently, in April and May of 2025, hip-hop and R&B powerhouses Kendrick Lamar and SZA joined forces for their "Grand National Tour." This critically acclaimed and commercially successful pairing achieved silver status on the Boxscore charts for two consecutive months, ultimately being bested by the stadium-filling spectacle of Coldplay and then by the unparalleled force of Beyoncé’s monumental tour. These instances, while falling short of the No. 1 position, illustrate a growing trend towards co-headlining tours as a viable and highly profitable model, pooling fanbases and offering enhanced value to concertgoers. The eventual breakthrough by Usher and Chris Brown therefore represents the culmination of this evolving touring strategy, proving its ultimate capacity to dominate the charts.

Individual Triumphs and Collective Synergy

The September No. 1 marks a significant personal milestone for both artists. For Usher, it represents his inaugural month at the very top of the Billboard Top Tours chart. His previous highest solo achievement was reaching No. 3 in September and October of 2024, demonstrating a consistent upward trajectory in his touring career. Chris Brown, meanwhile, makes a triumphant return to the No. 1 spot, exactly one year after his last reign. In a remarkable display of sustained touring power, Brown scored a record-tying trifecta in 2025, holding the top position for three consecutive months from July to September. This incredible feat places him in an elite club alongside touring titans Bad Bunny and Beyoncé, who are the only other artists to have achieved such a prolonged consecutive run at No. 1.

The synergy between Usher and Brown on "The R&B Tour" has clearly elevated both artists, creating a combined force greater than the sum of its parts. Their ability to deliver such consistent, high-grossing performances highlights not only their individual star power but also the immense commercial potential when two established acts strategically align.

Post-Summer Shift: Market Dynamics and Touring Revenue

Interestingly, despite reaching their peak monthly rank in September, Usher and Brown’s monthly gross and attendance figures experienced a slight decline compared to their earlier summer performances. In July, "The R&B Tour" commanded an impressive $98.4 million in earnings and sold 538,000 tickets. August saw a slight dip, yet still formidable, with $91.8 million grossed and 465,000 tickets sold. The September figures of $77.4 million and 423,000 tickets, while historic in terms of ranking, reflect a broader industry trend.

This decline, occurring as the North American summer stadium season begins to wind down, is a predictable seasonal adjustment in the touring market. "The R&B Tour" is the first No. 1 act since April to gross less than $100 million in a single month, underscoring the typical ebb and flow of live music revenue outside the peak summer period. The concentration of massive outdoor stadium shows during summer months naturally inflates overall market figures, making the post-summer period a challenging landscape for maintaining peak grosses. Nevertheless, Usher and Brown’s ability to claim the top spot with these figures demonstrates a strong performance relative to the prevailing market conditions.

"The R&B Tour": A Detailed Itinerary and Financial Outlook

The September leg of "The R&B Tour" showcased a strategic routing across major North American markets. Kicking off the month on September 1st at Levi’s Stadium in Santa Clara, California, the tour traversed the country, making significant stops in bustling cities. These included a memorable engagement in Las Vegas, a high-impact show in Arlington, Texas (serving the Dallas-Fort Worth metropolitan area), and a compelling performance in Inglewood, California (part of the greater Los Angeles market). The month concluded on September 29th at State Farm Stadium in Glendale, Arizona.

On the Top Boxscores chart, which ranks individual show grosses, the Las Vegas, Arlington, and Inglewood dates notably secured positions 6 through 8, respectively. The single-night bookends in Santa Clara and Glendale, while contributing significantly to the overall monthly gross, fell just outside the highly competitive 30-position chart, underscoring the immense financial scale required to make that exclusive list.

Usher & Chris Brown Bring R&B to No. 1 on Monthly Boxscore Report

Since its grand kickoff on June 26th in Denver, "The R&B Tour" has already proven to be a monumental success. Through the October 3rd date in El Paso, Texas, the tour has amassed a staggering $284.7 million in gross revenue and sold over 1.5 million tickets across its first 36 shows. This impressive run puts the tour on the verge of becoming Chris Brown’s highest-grossing tour ever, closely approaching the $295.5 million achieved by his "Breezy Bowl XX" tour last year. For Usher, "The R&B Tour" has already shattered his previous personal best, significantly surpassing the $183.9 million generated by his "Usher: Past Present Future" tour (2024-25).

With four shows from October yet to be fully reported and an ambitious schedule of 15 more dates slated before the close of 2026, Usher and Brown are poised to challenge the "Grand National Tour" by Kendrick Lamar and SZA for the title of the highest-grossing co-headline trek of all time. Projections indicate a strong possibility of "The R&B Tour" smashing the formidable $400 million threshold, solidifying its status as an unprecedented commercial triumph in R&B touring history.

Karol G’s Unstoppable Ascent in Latin Music

Just below the historic R&B duo, Latin music sensation Karol G continues her formidable ascent, tying her personal best by securing the No. 2 spot on the Top Tours chart. Her last appearance at this coveted position was in April 2025, when she trailed Bad Bunny, marking a significant "top-2 blockade" by Latin acts—a powerful testament to the genre’s global dominance. In September, Karol G’s "Viajando Por El Mundo Tropitour" delivered another stellar performance. With just eight shows, the tour grossed an impressive $73 million and sold 355,000 tickets, showcasing her immense drawing power and the fervent dedication of her global fanbase.

The crown jewel of Karol G’s September run was her captivating two-night engagement at the New York-area MetLife Stadium in New Jersey on September 17th and 18th. This double-header alone generated an astounding $25.3 million in revenue and sold 104,000 tickets, securing the No. 5 spot on the Top Boxscores chart. Additional stops, including a two-nighter in El Paso, Texas, and a single show in Houston, also surpassed the $10 million mark, further highlighting the widespread demand for her electrifying performances.

Karol G recently concluded the highly successful first leg of her North American tour, which ran from July 24th to October 15th. This segment alone accumulated an incredible $220.7 million in gross revenue and sold 1.1 million tickets across 24 shows. This already places her "Viajando Por El Mundo Tropitour" at No. 7 on Billboard’s prestigious list of the highest-grossing Latin tours in history, not far behind her own "Mañana Será Bonito Tour" (2023-24) at No. 5. When combining the financial successes of her "Mañana Será Bonito Tour," 2022’s "$trip Love Tour," 2021’s "Bichota Tour," and 2018’s "Unstoppable Tour," Karol G unequivocally positions herself among the top five highest-grossing Latin artists of all time according to Billboard Boxscore data. Her continued expansion into new markets and her consistent ability to fill massive venues underscore her status as a global phenomenon and a trailblazer for female artists in Latin music.

Looking ahead, Karol G’s touring schedule remains robust. She is set to embark on a Latin American leg, with six shows planned for Mexico, two in Costa Rica, and three in her native Colombia before the end of 2026. Another 25 shows are scheduled for 2027, almost guaranteeing that the "Viajando Por El Mundo Tropitour" will become the biggest and most financially successful tour of her illustrious career to date, further cementing her legacy.

Celine Dion’s Resilient Return to the Stage

Making a triumphant and highly anticipated return to the Top Tours chart for the first time in over six years, the legendary Celine Dion secures the No. 3 position. This emotional comeback follows a challenging period for the iconic vocalist, who had been forced to cancel the remainder of her "Courage World Tour" in 2023 due to ongoing health issues. Her return to the stage materialized in the form of a residency at Paris’ newly re-named Plenitude Arena (formerly La Defense Arena), a strategic move allowing her to perform consistently in one location.

Her eight shows in September captivated over 33,000 people each night, demonstrating the enduring power of her voice and the unwavering loyalty of her global fanbase. These performances collectively grossed an impressive $62.9 million and sold 269,000 tickets, signaling not just a return, but a powerful reaffirmation of her status as one of the biggest touring acts in history. This remarkable monthly performance placed Dion at No. 3 among all touring artists for September and, notably, earned her the No. 1 spot on the Top Boxscores chart for individual show grosses, highlighting the extraordinary revenue generated per night in Paris. She continued this stellar run with another eight shows in October, concluding the first leg of her "Celine Dion Paris" residency with an astounding cumulative gross of $125.5 million and 539,000 tickets sold. Her resilience and dedication to her craft, particularly after public battles with health, resonated deeply with fans and the industry alike, making her return a truly inspiring moment.

Shakira’s Global Residency Phenomenon

Joining Celine Dion in showcasing the power of the residency model, albeit within the framework of an ongoing mammoth world tour, is the electrifying Shakira. Eighteen months deep into her record-breaking "Las Mujeres Ya No Lloran World Tour," the global superstar established "Stadium Shakira" in Macondo Park in Madrid for a remarkable 13-show residency. The September portion of this highly anticipated run, encompassing six shows, generated a robust $37.6 million in gross revenue and sold 300,000 tickets. The remaining seven shows from this Madrid engagement will be accounted for in next month’s Boxscore recap, promising another strong showing for the Colombian icon. Shakira’s innovative approach to incorporating residencies within a sprawling world tour demonstrates a strategic flexibility, allowing her to capitalize on concentrated fanbases while maintaining global momentum.

K-Pop’s Enduring Global Dominance

Rounding out the top five on the Top Tours chart are two giants of the K-pop world, underscoring the genre’s continued and expanding global influence. Former chart-topper BTS, despite a more limited schedule, secured the No. 4 position with just four shows at the iconic SoFi Stadium. Their ability to command such a high ranking with fewer dates speaks volumes about their unparalleled fanbase and the immense demand for their performances. Following closely at No. 5 is BigBang, another legendary K-pop group, with a strong showing of $45.2 million from five shows across diverse international markets including California, New Jersey, Paris, and London. The consistent presence of K-pop acts in the upper echelons of the global touring charts reaffirms their status as a dominant force in the international music landscape, drawing massive crowds and generating significant revenue worldwide.

Implications for the Future of Touring

The September 2026 Boxscore charts offer critical insights into the evolving landscape of the live music industry. The historic achievement of Usher and Chris Brown as the first co-headliners to top the chart signals a potentially transformative trend. This model allows artists to broaden their appeal, share production costs, and offer fans a dual-headliner experience, potentially unlocking new revenue streams and audience segments. Promoters may increasingly look to curate such pairings, especially as established artists seek innovative ways to tour efficiently and effectively.

The resilience of artists like Celine Dion, returning triumphantly through strategic residencies, highlights the adaptability of touring models. Residencies offer a sustainable alternative to traditional grueling world tours, particularly for artists with extensive careers or those managing health considerations, while still delivering significant financial impact. Shakira’s integration of a residency within a world tour further showcases this flexibility.

The continued dominance of Latin artists like Karol G and the unwavering global appeal of K-pop giants like BTS and BigBang reaffirm the industry’s increasingly international nature. These artists are not just regional stars but global phenomena, capable of commanding top grosses across continents. As the industry navigates seasonal shifts and explores new artist collaborations and touring formats, the September 2026 Billboard Boxscore charts stand as a testament to the dynamic, innovative, and ever-expanding world of live music.